Fast, Cheap and Under Control by John Gaspard

In an effort to gather inspiration for my next project, I’ve been reading Fast, Cheap, and Under Control: Lessons from the Greatest Low-Budget Movies of All Time by John Gaspard. In the book, he examines 33 independent films, ranging from the well-known (The Blair Witch Project, Monty Python and the Holy Grail, sex, lies, and videotape) to the more obscure (Symbiopsychotaxiplasm: Take One). From interviews with the directors, Gaspard collates 69 rules for low-budget film production, some of them overlapping, others contradictory, and summarizes them in the appendix. Some of these ‘rules’ have limited application, but many of them are worth considering when planning or thinking about a low budget film. At the very least, it is worth reading what successful indie directors have to say about their craft and the lessons they learned from it.

Overall, I would recommend the book if you are looking for a broad introduction, although it is rather lacking in specific detail. You won’t find much about the technical aspects of filmmaking, such as lighting, sound and cinematography (although Gaspard’s other book, Digital Filmmaking 101: An Essential Guide to Producing Low-Budget Movies may contain more in that regard; I haven’t read it yet.) and you won’t find much advice on directing actors (for that I recommend Directing Actors: Creating Memorable Performances for Film & Television by Judith Weston) but you will find general information on how to get your movie made without falling into the major pitfalls of low-budget production along the way. After all, much better to learn from others’ mistakes than repeat them all ourselves.

Update

Yes, we’ve both been busy recently, hence the lack of posting. For my part, I’m putting in long hours at a new job inside the industry (I won’t tell you where, but I’m very excited to be working here) as well as achieving picture lock on a short film I’m editing for a local film student. I also had the pleasure of reconnecting with a colleague who has worked on my shorts in the past. More on all of this to come in the (hopefully) near future.

John August on BitTorrent

John August, well-known writer (also Producer/Director), has several posts on his blog about his latest movie, The Nines, appearing on BitTorrent.

In chronological order (edit: fixed links):
The Nines on BitTorrent
More on the Torrents
Upswing

In the most recent one, he attributes a rise in popularity of the film on IMDB to the proliferation of the film on BitTorrent. Also interesting to note that he owns the copyright on the film, so is speaking not only as the film’s creator but as the owner as well.

Open Source Pre-Production

Filmmaker.com has an interview with Mark Kennedy of Greyfirst Corporation about Celtx, an innovative new open-source pre-production tool. Based on the interview, it sounds like this tool might go a long way towards bringing the technological advances enjoyed by post-production teams to the pre-filming side of things.

Greenlight Awards

Greenlight Awards

Win $2,000 for best Digital Series concept or $10,000 for best digital series production (one episode). Deadline is February 15, 2008. Winners announced at SXSW 2008.

FYI, they define digital series thusly:

Digital Series is a new type of TV show that varies in length and the number of episodes, and is made available to consumers anywhere and anytime via any network — whether it’s the Web, mobile devices, gaming consoles, IPTV, traditional TV channels and cable systems.

BitTorrent for Indies

TorrentFreak.com, admittedly a slightly biased source, has a good article on the benefits of BitTorrent distribution for indie films. Similar to arguments for online (or perhaps pirated) distribution of indie artists: The more people who see/hear your work, the better.

It’s interesting to think about how this affects the marketplace, but for indie producers with no distribution deal and a small budget for advertising, it could be a valuable part of the toolbox.

AMPTP and Music Studios

Both of these entities are fighting losing battles to maintain the status quo amidst the onslaught of the internet. Chad Gervich has a great post about the WGA Strike and draws some similarities to the decline of music studios in the internet era. He may be overstating it somewhat (he is understandably sympathetic to writers) but the premise is apt. Failure to adapt will lead to extinction. Holding on to the last decade’s way of business is tantamount to a failure to adapt. The corporations, which currently hold power, in the entertainment industry would be wise to remember that in a storm, it is the stalwart oak that snaps, while the saplings which yield to the storm are left standing.