Category: Views

Our take on the state of independent and new media.

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Creative Capitalism and Social Entrepreneurship

This NYTimes article is a must read for anyone interested in the field of social entrepreneurship:

Can Businesses Do Well and Do Good? – Economix Blog – NYTimes.com
“The question of creative capitalism is whether there is some role for institutions that falls between traditional profit-making and nonprofit firms. Is the world being well served with these two clearly distinguished types of entities, one of which serves only shareholders and the other of which has some other goal? Does it make sense to consider hybrid organizations that have an obligation to earn financial returns, for some of their investors, and social returns for others?”

One possibility that this article fails to address is the for-profit entity that is wholly owned by an individual or group of individuals who seek a set return while allocating further gains towards furthering their mission, be it supporting the arts, fighting poverty, increasing the availability of educational resources, or a host of other worthy endeavors.

Old Wheel (Photo by iCampbeℓℓ)
Old Wheel (Photo by iCampbeℓℓ)

Shareholders are not necessarily part of the picture for all businesses, especially in the age of Web 2.0 startups. It is possible to bootstrap a small company, and maintaining full control of the company simplifies a number of questions that this article raises about serving shareholders or social good. If the company management is also the owners, then the decisions are more simple (though not necessarily easy). Furthermore, just because a company is small doesn’t mean that it can’t have wide impact.

One of the most exciting aspects of technological advancement is the capacity to amplify and scale the result of effort, from the wheel to the internet. The potential to turn a small investment into lasting social change is a large draw for many people entering the social entrepreneurship field.

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Chris Carter’s Green Set for X Files Sequel

First of all, I’m posting this from a BUS! Yes, indeed, I have finally tried out Bolt Bus, and the wireless internet is nothing short of a Christmas miracle.

Image from Eleven Eights Photostream
Image from Eleven Eight's Photostream

In honor of Jewish tradition this week, I rented a bunch of movies that I missed in theaters, including the long-awaited X Files follow-up, I Want To Believe. The movie itself is much like a big long X Files episode, except that Mulder has a beard and Scully has really long hair.

However, I really like the extras on the DVD.  The blooper reel is outstanding (as, by the way, are all of the blooper reels from the original show).  In addition, X Files creator Chris Carter gives some insight into how he made his set more ecologically friendly.

Ford donated hybrid cars to transport cast and crew to and from airports, the crew limited the number of scripts and sides photocopied each day, and biodiesel generators powered equipment.  The crew had a no-idling policy for all vehicles, and used sand instead of salt on their snowy location shoots.  All food was produced less than 100 miles from the set.  It’s actually not that different from the suggestions I made in a previous post about green production and the potential for “slow film.”

Carter says that he had “lost some interest in what I do, because of the waste. . . and the mentality was spend a lot of money, make a lot of money, and don’t think about the product of your process.”

The X Files often dealt thematically with how humans encroach on the natural world, and I think it’s great to hear that Carter takes his own message so seriously.

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Battlestar Galactica’s Face of the Enemy: Evidently Quite Kissable

I’ve been waiting, quite nervously, for the return of Battlestar Galactica in January.  It’s been so gosh darn long since the end of the first half of season 4 – what if I don’t remember what happened?  Lucky for me I can still Catch the Frak Up.

We’ve also got webisodes to help us get through the holidays, this time penned by Jane Espenson.  The first two webisodes are already up. (Warning: this webisode contains spoilers for the last 4 seasons, so don’t watch if you don’t want to know):

At around the two-minute mark, I had to pause, take a few deep breaths, and restart the video.  Two men just kissed – in SPACE!  Hoshi and Gaeta are not particularly surprising choices as gay characters (Lt. Gaeta had a rather puppyish attachment to Gaius Baltar early in the series). My first reaction, after decades of waiting in vain for a gay relationship on Star Trek, or really anywhere in American spacefaring drama (I hear Torchwood is very progressive, but it’s still British), was pure joy.  Two actual male characters, one of whom has been integral to the storyline, kiss in a non-sensationalized moment on screen.  Can anyone think of another show that has done that?  I can’t even think of another male-male kiss in space, let alone one that uses existing characters.

But as with so many great gay moments in pop culture – there’s a little bit of disappointment mixed in with that joy.  The gay kiss isn’t happening on the show proper, but on a webisode that regular viewers can watch or not watch as they choose.  If the relationship had been a part of the intricate plot of the main show, it would be impossible to ignore, since it is nearly impossible to skip an episode of Battlestar Galactica and still get what’s going on.  It seems that from Jane Espenson’s commentary, the webisodes were some of the last scenes filmed on the BSG set, which leads me to believe that the relationship will not be portrayed at all in the final ten episodes.

So what do you think?  Historic moment in science fiction or a cop-out?

If Star Trek was on the air today, might they have unrolled a character arc much like this one on the web, and thus had the opportunity to test their viewers’ reaction before moving it onto the regular show?  Can webisodes, extended scenes, and other out-of-show content play in creating a more inclusive narrative – or do they make it too easy for producers to bury anything that might not sit well with audiences?

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Joss Whedon Gets Crafty

Image from elasticcamels photostream
Image from elasticcamel's photostream

Joss Whedon, creator of Buffy the Vampire Slayer, Firefly and this summer’s web-based hit, Dr. Horrible, was just interviewed by Kim Werker of CrochetMe (transcript found here).  What does Whedon have to say about crafting?  Aside from setting us straight on whether Captain Hammer’s sweater vests are knitted or crocheted, Whedon speculates on the parallels between the DIY craft community and the DIY media community:

KW: I read a quote recently, in an article about the resurging DIY movement, that we’re “crafting to claim identity, to save the world from soulless junk.” Do you see any parallels in people’s approach to internet-based video productions versus the big-media productions for television and movies and how people are really taking those media into their own hands right now?

JW: Absolutely. I mean, let’s face it, in the media there are now eight companies. In any mall you walk into, there are now eight stores: there’s gonna be a Gap, there’s gonna be a Banana Republic. Everything is becoming consolidated, so where there used to be lots of variety, there are now, like, ten giants and tons of tiny little villagers. And yeah, the villagers are going to start making their own stuff because the materials will be available to all of them, and we can’t all just do things the way the giants want, because it does seep something out of your soul. I think it’s absolutely true on every level of art that this is the worst of times and, like some guy might have said once, the best of times.

I find this to be profoundly true.  Everywhere I turn, I see that massive consolidation.  Whether it’s NBC putting Jay Leno in a spot typically reserved for innovative dramas, or the CW potentially creating a Gossip Girl spinoff because it is less risky than shooting a pilot for a new show.  Then again, I also see people figuring out how to entertain themselves with projects like Odd Noggin Land – in which the creators actually made giant heads shaped like ketchup and fries.  DIY projects are inefficient, they are often messy, and they probably appeal to a small number of people.  But the result often has a depth of character and breadth of experimentation that’s absent from a product brought into being by a corporation.  That’s true whether you’re knitting a hat or making a movie in your backyard.

Like the man said:  “You have to remember that if the thing isn’t slightly out of control, it ain’t art.”

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Xu Bing: The Future of Art and New Media

Last night I caught Xu Bing’s talk at Lesley University/The future site of the Art Institute of Boston.

Xu Bing is a Chinese artist, probably best known in the states for his unusual use of imagined calligraphy – either characters that have no meaning, or English letters morphed into psuedo-Chinese script.

Butterfly Dreams at Contemporary Museum Image from aur2899’s PhotostreamLast night, among other things, he showed a few images from his Book from the Ground project. The Book from the Ground is an attempt to use iconography to tell stories. You can read excerpts online. He talked a little about the goal of creating a book that everyone involved in modern life can read – inspired by the airport signage he saw around the world. His team is even creating software so that we can all talk to each other in icons.

This one project made me think a lot about film and the success of symbolism. If you see an old man and a young man on screen, looking at each other from afar, then running towards each other and embracing – you don’t need to know that they are a separated father and son. In fact, any other explanation would be downright subversive. Modern culture has flattened the symbolic landscape to the point where we all know the sign for “man” “alarm clock” and “airplane.” We don’t need a dictionary. Xu Bing talked about the decision that Coca-Cola made to stop printing its labels in other languages. “Coca-Cola” is now a symbol around the world, more than it is an actual word. He didn’t even mention IKEA, which uses a language of symbols and signs to give a universal set of instructions with every piece of furniture.

Much as I could type all day about symbolism, culture and iconography. . . I’d rather pose a real-world question: Are we genuinely moving toward a universal language of symbols, or are some sentiments too complicated, too culturally specific, to ever become universalized? If we are moving toward more universal forms of communication, is that always a good thing?

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Will “Repo!” Steal Hearts?

Repo Promoting in Downtown Berkeley Image from shellEProductions’ PhotostreamDoes anyone else hate the phrase “Instant cult classic?” Instant classic is like instant chocolate brownies. It might temporarily fix your chocolate craving – but it’s nothing like a dessert you spent a couple hours baking from scratch.

Well, NPR is also a little skeptical of the idea that someone can deliberately create a cult film. Repo! the Genetic Opera is an upcoming movie starring Anthony Stewart Head, Paul Sorvino, Alex Vega and. . . uh. . . Paris Hilton. Combining organ repossession, rock musical numbers, a big bad corporation and a distinctly “Blade Runner” feel, the creators of “Repo!” seem confident that alternative kids will come running to a film made just for them.

Beth Accomando at the NPR pop culture blog points out that the movie is using a web-heavy marketing strategy out of necessity – they have no money for a big budget ad campaign. I am impressed that the film’s creators are interacting directly with fans – but I wonder if you can classify people who have yet to see a film as “fans.”

Increasingly, savvy directors and producers have deputized fan communities in the fight to keep a movie franchise making money. This creates a sense of “ownership” that is actually quite different than the fans of a cult classic like Rocky Horror. Rocky fans go to midnight showings because they aren’t supposed to: The film wasn’t intended to be made fun of and shouted at and have toilet paper strewn all over it. It’s not just an alternative film, it’s an alternative film-going experience. Whether or not “Repo!” can capture that sense of forbidden fun is yet to be seen.

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Post-Election Roundup

Barack Obama: A mosaic of people Image from tsevis’s Photostream

Tuesday night, as I skyped into Teague’s election night party taking place a few hundred miles from my own living room. . . two things hit me: (1) I’m a dork for using skype to attend someone’s party and (2) That won’t be true in 2012.

Right now, across the country, pundits are figuring out exactly what “lessons” we should learn from this election. The biggest lesson of all? Smart media is here to stay. The NY Times places a heavy emphasis on the role of the internet in this race. I feel the best way to sum up the “sea change” is that whereas in 2004, there was a campaign, and a campaign on the internet, today, the campaign lives through the internet. Technology is moving faster than the election cycle. It’s foolish to think that in four years, kids will still think that YouTube is cool. The internet isn’t just a nifty gadget, it’s a country unto itself – and if you don’t know the right customs and etiquette – you’ll get laughed out of the game.

The big question now is whether President Barack Obama (wow, I will never get tired of typing that), will continue to use social media to govern. Tweets from senior staff? A presidential YouTube channel? The possibilities are pretty endless – it’s all a question of how the Obama administration (again, never gets old!) will choose to engage with constituents.

What kinds of information do you want from the federal government? How do you want them delivered? Now that this election is over, what do you want to say to the people about to take power?

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Radio for a new generation

Ken George, blogging for my local NPR station, WBUR, has some interesting thoughts on “New Millennials” and radio in his ConverStation blog.

The post jumped out at me because one of the blogs he quotes sounded like I could have written it myself:

In college, I listen to less news radio, mostly because I don’t drive anymore. But I faithfully listen to the This American Life podcast every week, and am a recent convert to WNYC’s RadioLab, which I also listen to via podcast.

I had never thought before that I might be exhibiting “New Millennial” behavior. Of course, my need to have content fed into my ears at all times is quite different than my parents (also avid NPR listeners) who generally don’t want to consume media and do something else the same time.

Radio is one of the only media formats that people above the age of 30 do consume while doing other things. We can keep our eyes on the road and listen to the stock market numbers (unless it’s this week, then we should all pull over). We can cook dinner during “A Prairie Home Companion.” We can listen to a new song and make out on a first date. Hurray for radio!

The thing that New Millennials like me probably enjoy less about radio is that it’s so gosh darn local. I can’t reliably get my favorite college radio station, WERS, outside of Boston. A station’s ability to stream live on the web does change that, but might not necessarily benefit the radio station. I worked in a dark, gloomy basement computer lab one summer, and became obsessed with Southeastern Louisiana State’s radio station, KSLU. Unfortunately, their news, events and advertisers had almost no effect on me. Since I won’t go to a live concert, or a furniture sale, in Hammond, LA, people like me (listeners outside the local area), don’t make a compelling case to sponsors to donate at a higher level.

It is possible that I’ll start to have more of an interest in local politics as I become more rooted in a single community. Right now, news about property taxes in Massachusetts on WBUR doesn’t really do it for me, since I don’t own property and don’t know if I will settle here for good. It’s also possible that the radio landscape will shift to meet my generation’s specific type of media consumption – namely nonlinear, constant access, and loaded with content-rich goodness.

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Musical Road

Ok, now this is cool. A road in Lancaster, CA has had grooves cut into it that cause car’s tires to play the William Tell Overture as they drive over it. CNET has the full story.

This is apparently part of a marketing campaign for the Honda Civic, and the road is tuned to play best for a Civic’s tires. The best part is that this isn’t even unique. There are other “singing roads” in Japan and South Korea. The one in Lancaster is being paved over due to complaints from neighbors. You would complain too if you had to listen, over and over, to a section of the William Tell Overture that sounded like this:

Encoding music into a road is a clever idea, despite the low fidelity. It certainly gets my attention. What other creative outlets for music have you seen?